CNN.com’s international online site carried a story (with video) about denim dyes polluting the Pearl River in China. Writer, Emily Chang’s story is disturbing, but all too familiar. Industries along the Pearl River have put the environment in widespread peril with a multitude of toxins. Should we boycott blue jeans…the staple of everyone’s wardrobe these days?

Quoting from Chang’s piece on CNN, “The Pearl River has sustained Chinese civilization for ages, but over the last few decades, civilization has not been kind to the river. It has become a dumping ground for debris, floating among massive algae blooms and even pig carcasses. Agricultural runoff is one of the river’s biggest threats, next to industrial pollution.
The river is the lifeblood of the “world’s factory floor,” thousands of factories that produce the world’s toys, mobile phones, computers, textiles and more. It is also the blue jean capital of the world.”

Read the whole story  and watch the informative video at CNN.com.

When I bred and raised alpacas, I learned about their history. Research tells us that the alpaca has been a domesticated livestock for over 4000 years, producing fiber that was the basis of class struggles in South America, often called the “fiber of the gods,” and even now referred to as “the gold of the Andes.” Alpacas were part of the traditions and cultural development of the herdsmen and women of the Andes, known as “compesinos”  who today still are part of the alpaca industry in Peru. The Compesinos, generation after generation, have raised their herds high in the mountains, with skill and caring, and the alpacas in my pasture were descendents of those alpacas. Awe inspiring to say the least.

Many of us who work with cloth and fiber, were drawn to this medium in part, because of our interest in the role it has played in the history and cultural development of a people. There is a connection to the past, to the earth and to people who created and were sustained by cloth before us.

Like Carlo Petrini’s Slow Food movement in concept, the Slow Cloth Movement is about one’s relationship to your work, life and expression with cloth. In 2007,  Elaine Lipson starting developing the Slow Cloth movement and in ‘08, after much reflection, identified ten principles applicable to any textile-related process. Just recently, Elaine together with two artists of like-mind, Jude Hill and Glennis Dolce, have gone Facebook with a Slow Cloth community page. It has grown remarkably fast, has many interesting discussions and great array of resources too. Join the community and become part of the movement.

HandEye Magazine featured Elaine Lipson’s “Slow Cloth Manifesto” in their February 14th edition in which she outlines the ten principles of the movement-reflective and meaningful to those of us who work with cloth.

Elaine Lipson is a writer, editor, and artist, and the author of  The Organic Foods Sourcebook (Contemporary Books, 2001), The International Market for Green and Sustainable Apparel (Packaged Facts, 2008), and many articles on organic farming, supporting local growers, sustainable apparel and more. Her blog is Red Thread Studio blog at http://lainie.typepad.com