Kathyanne White’s New Blog…

Tuesday, November 10th, 2009
Kathyanne White

Kathyanne White

Kathyanne White has a new blog, “Inside Kathyanne Art,” full of interesting updates on her own creative process. Each month, Kathyanne is featuring a post on one of the members of her own membership site, “Kathyanne Art.” I am most pleased to be the first artist featured and my thanks to Kathyanne.

Kathyanne is a most accomplished artisan, widely published and a teacher for more than 20 years. She has exhibited solo and in group showings, including Museum of Arts and Design and the American Folk Art Museum in New York. Her art journals are featured in the Smithsonian Institute’s Archives of American Art.

Do visit “Inside Kathyanne Art,” as well as Kathyanne’s membership site, with artists’ forums, helpful tutorials and Kathyanne Art digital images too.

The fiber arts field is full of stars and it is quite nice to have one’s own work acknowledged by one of the very bright stars in our field.

Summer Fiber Arts Classes

Sunday, June 7th, 2009

Textile & Fiber Arts Fair, July 11, 2009 in Marshalltown, Iowa

The 2009 Textile and Fiber Arts Fair features booths with fiber artisans, information center hosted by SAQA, and classes. Free admission and door prizes too!  Three terrific classes are offered at the fair and space is available, so sign up now!

Painted Image
Instructor: Rebecca Kemble, textile artist
9:30-3:30 PM

Wondering how to paint an image without changing the hand of the fabric, so you can stitch into it with ease? This class is designed to teach the technique of painting using MX Procion dyes. Learn how to successfully draw your image on fabric, shading, highlighting, and how to prevent the dye from bleeding. There will be a supply fee for materials provided by the instructor. More info and registration here

Truck Show and Demo Class
Instructor: Janet Pittman, fiber artisan, teacher & author
9:30 am to 11:30 am

Janet takes many of her appliqué inspirations directly from her garden and finds wonderful ways to sew them into quilts. See a trunk show of more than 25 quilts and a demonstration of easy appliqué techniques and stitched embellishments to end up with beautiful flowers that look like you just picked them! For the kids on your list she will show several nap quilts appliquéd with motifs from farm animals to fuzzy wuzzy.  Click here for registration and more info.

Fall Maple Leaf Demo
Instructor: Ilene Bartos, fiber artisan, instructor and author
1:00 pm – 4:00 pm

Students will have the opportunity to learn and see demonstrated a variety of fun techniques, including:  raw edged applique, zigzag quilting, satin stitch, foiling and beading.  The wonderful  maple leaf, pictured here,  is finished with these techniques.  It has a copper hanger that sets it off and adds distinction.  Come to a demo and learn the techniques needed to make this special leaf.  Kits will be available for purchase. Click here for more info and registration.

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Bonnie Tarses

Bonnie Tarses

Bonnie Tarses, well known weaver of great expertise is offering her Color Horoscope Weaving course at Golden Gate Fiber Institute in San Francisco, CA.   Date is July 27-August 2nd.

Workshop Description: Come join in the discovery of a unique method of color
blending developed by Bonnie over the past 30 years as displayed in a
spectacular array of examples. Each student learns to translate a horoscope
into a color draft, and then observes as the 12 colors of the spectrum
multiply into myriad bands of color too numerous to imagine. Each dazzling
warp becomes a personal rainbow.

Learn to translate a horoscope into a warping
draft. Gain ease with color/yarn selection and combining. Discover how to
use a warping board or reel as a design tool. Weave a magnificent unique
cloth. Overcome fear of color. Be inspired. Create a foundation for
designing many future weaving projects.

More info and registration – click here

Quilt Exhibition to Honor President Obama

Thursday, January 29th, 2009

Susan Walen, quilt artist, was inspired to create an art quilt in honor of the election of Barack Obama. She wondered how many others had created celebratory art quilts. Would there be enough for an exhibition? Susan issued a call to quilt artists. Yes! they said.

Susan put out the word and in short time had 60 artists very willing to participate in the exhibition, “President Obama: A Celebration in Art Quilts.” The artists are a multi-ethnic group from all over the US and as far away as Australia. A venue was found and the show was a reality.

The joy felt by Susan Walen at the election of President Obama, which inspired her to organize and facilitate the upcoming exhibition has been felt by creative people around the world. 60 creative artisans will participate and show their celebratory quilts in the exhibition to be held at the Cafritz Art Center on the Montgomery College Campus, 930 King Street in Silver Spring, Maryland, February 9-March 5th. An opening reception will be held February 13th, 6:00-8:00 PM at the Cafritz Art Center.

The “President Obama: A Celebration in Art Quilts” Exhibition is not the end of the story either. Susan plans to publish a book about the show, the participants and the inspired quilts. Profits from the sale of the book will help to provide funds for art students at Montgomery College.

The Alliance for American Quilts has recorded the stories of many the participating quilt artists which will be archived at the Library of Congress as part of the organization’s project, “Save our Stories.”

Here is a sampling of the  60 quilts to be shown at “President Obama: A Celebration in Art Quilts.”

“Dear Mr. Obama,” Susan Walen
"Obama," created by artist, Sue Walen

“What Do Dogs Dream About,” Eileen Doughty
"What Do Dogs Dream About," Eileen Doughty

“Treasure Map for Obama’s Win,” Susan Shie
"Treasure Map for Obama's Win," Susan Shie

“Obama Dream Realized,” Carol Beck
"Obama Dream Realized," created by artist, Carol Beck

“Living the Dream,” Diana Bracy
"Living the Dream," Diana Bracy

“Dawn,” Sherry Boram
"Dawn," created by artist, Sherry Boram

Fiber Arts Promoted on Etsy.com

Sunday, October 12th, 2008

Watermelon126-128 pix I was pleased to be asked to write an article for Etsy.com about the many fine fiber artisans now marketing their handmade fiber creations on Etsy. The article, High End Etsy: Fiber Arts, talks about the "grand opportunity to both emerging and established fiber artisans. Since its inception, Etsy has evolved through layers of quality each in turn attracting buyers at the emerging level.
Truly talented fiber artists – weavers, dyers, textile designers, skilled knitters, art quilters and those reviving traditional fiber crafts in new dimensions – are now establishing shops on Etsy."

Read the article, then browse through the fine work of all the featured artisans. The response has been very positive and the promotion of fiber in this way is great!

Fiber and Weaving in Colonial American, Part 2

Monday, October 6th, 2008

Early American Fiber Skills, Part 2,  was written by professional genealogist, Patricia Law Hatcher, FASG. 

Gender Roles


In Europe, weaving was a male occupation. It was learned by apprenticeship, and although a man could be described simply as a weaver or cloth-maker, often the type of material was described in the occupation. I have seen records in England, France, Germany, and Holland referring to linen weavers, woolen weavers, and say makers.

Both women and men were spinners, but weaving was exclusively male. It took several spinners to supply one weaver and his loom. So why do we envision the early American housewife seated at her loom?

With the collapse of the cloth-making industry in Europe, many weavers came to Americafor what they hoped would be economic opportunity. (I don't pretend to be familiar with the specifics of the changes, but one factor was increased cotton production, which caused a decline in the linen industry because cotton could be prepared and woven much more quickly.)

When emigrants arrived, if they were in a rural area and had been lucky enough obtain a farm, the focus had to be on survival, with the priority on accumulating food to make it through the winter. Although self-sufficiency was an ideal in New England, it was less so elsewhere, and New Englanders realized that it was wiser to buy cloth than to invest the time in creating it. Thus, much cloth was purchased. Some was imported from Europe. In American towns and cities, a weaver might still be able to support himself as farms became established and it became practical to raise flax and sheep for linen and wool yarn that could be taken to the weaver to turn into cloth.

Laurel Thatcher Ulrich studied this shift in the gender of weavers in a 1998 article (see below). She concluded that weaving as a female occupation developed most fully on the margins of settlement, away from cities, after women were able to shift their attention from helping with tasks related to establishing the farm, crops, and livestock to household activities. Once a loom was properly set up, weaving was an activity that could be started and stopped without interference with other household activities–and a good way to keep teenage girls productively occupied.

I had the opportunity to ask Ulrich if the mechanical improvements such as the fly shuttle were a factor in this gender shift, but she told me that she thought it was entirely the result of economic and social-environment factors.

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Resources
Edwin Tunis's Colonial Living (New York: The World Publishing Company, 1957), 45-52 is illustrated with pen-and-ink drawings of the tools involved in cloth production, beginning to end.

Laurel Thatcher Ulrich, A Midwife's Tale: The Life of Martha Ballard, Based on Her Diary, 1785-1812 (New York: Vintage Books, 1990), winner of the Pulitzer Prize in History. The Web site "Do History" provides examples from Martha's diary specifically related to weaving.

Laurel Thatcher Ulrich, "Wheels, Looms, and the Gender Division of Labor in Eighteenth-Century New England," William and Mary Quarterly, Third Series, 55(1998): 3-38.

Patricia Law Hatcher, FASG, is an instructor, and professional genealogist. Her oft-migrating ancestors lived in all of the original colonies prior to 1800 and in seventeen other states, presenting her with highly varied research problems and forcing her to acquire techniques and tools that help solve tough problems. She is the author of Producing a Quality Family History.   Copyright 2006, MyFamily.com

Coming next: Part 3: Other Weaving Tasks 

Fiber and Weaving in Colonial America, Part 1

Tuesday, September 30th, 2008

We Americans have the romantic notion that our early ancestors made all their own cloth, then sewed that cloth into clothing for their families. Yes, many did and in the process changed some traditions and methods from the 'old' country.  What follows is an excellent historical account written by professional genealogist, Patricia Law Hatcher, FASG, written in 2006. Part 1 describes the value of weaving and looms and types of fiber found in the early days of our country.

 

"Early American Fiber Skills"  Patricia Law Hatcher.

 

Weaving and Linen
It isn't uncommon to find in a probate inventory that an ancestor owned several yards of lining. To understand this term, we first need to remind ourselves that our ancestors didn't care all that much about spelling and that they spoke with accents unlike our present-day American accents .Lining was the most common way of spelling linen. This even gives us a clue of how it was pronounced.

Linen yarn could create a variety of fabrics: from delicate underclothing and fine handkerchiefs to sturdy sheeting and practical outerwear. Linsey woolsey was a common fabric woven from both linen and woolen yarn.

Linen was made from flax. Edwin Tunis in Colonial Living (see below) says of flax, "It took about twenty operations, all laborious, to reduce the plant to a state that would allow its fibers to be spun." In the previous column, we reviewed a Cliff's Notes version of the process for turning flax into linen yarn. (That column is available here.) Spinning added an additional set of operations before weaving could begin. Like preparation and spinning, weaving has many parts.

Looms

A loom was not a simple item. It occupies a significant floor space and has complicated parts. We see references in inventories to gears, slays or sleys, harness, tackle, and other weaving equipment. These could determine the specialty of a specific weaver. In Martha Ballard's diary (see below), we see that some of these pieces–and their installation and set up–were part of the borrow-and-barter economic system.

Warp refers to the sturdy threads that run the full length of a piece of fabric. The warp threads have to be mounted on the loom before weaving can begin. In effect, they go from a roller near the weaver to a roller at the far end of the loom. Periodically, as the warp within reach of the weaver is woven into cloth, warp is unrolled from the far roller (the warp beam) and rolled up on the near roller (the cloth beam). Setting the warp of a loom required both a significant amount of time and specialized skills.

The weft is the thread that alternately passes over and under the warp. The purpose of a loom is to create a mechanical way of alternately raising and lowering particular warp threads so that the weaver can use a shuttle to throw the weft thread from one side to another. Until the invention in 1733 by John Kay of the fly shuttle, the shuttle was thrown by hand from one side of the loom and caught at the other. The fly shuttle automated this process to the pressing of a pedal. The mid-1700s also saw the invention of equipment to facilitate special weaves, such as the Jacquard machine.

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Resources
Edwin Tunis's Colonial Living (New York: The World Publishing Company, 1957), 45-52 is illustrated with pen-and-ink drawings of the tools involved in cloth production, beginning to end.
Laurel Thatcher Ulrich, A Midwife's Tale: The Life of Martha Ballard, Based on Her Diary, 1785-1812 (New York: Vintage Books, 1990), winner of the Pulitzer Prize in History. The Web site "Do History" provides examples from Martha's diary specifically related to weaving.
Laurel Thatcher Ulrich, "Wheels, Looms, and the Gender Division of Labor in Eighteenth-Century New England," William and Mary Quarterly, Third Series 5(1998): 3-38.
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Patricia Law Hatcher, FASG, is an instructor, and professional genealogist. Her oft-migrating ancestors lived in all of the original colonies prior to 1800 and in seventeen other states, presenting her with highly varied research problems and forcing her to acquire techniques and tools that help solve tough problems. She is the author of Producing a Quality Family History.   Copyright 2006, MyFamily.com

 

Coming next, Gender Roles in fiber production.

Just what are ‘natural’ fibers….

Sunday, September 7th, 2008

Definition of natural fibers: derived from nature, produced by animal or plant; not man-made.

 

Natural fibers include:

      Wool is produced by many different varieties of sheep, varies from very fine to coarse. Other animal fibers, sometimes referred to as wool, are actually hair fibers, down or fur. Alpaca and cashmere are hair fibers, as is dog, the camel, cats and the yak to name a few. Hair fibers are similar to wool in structure and chemical composition.

      Silk is a natural fiber that is transformed into many yarn types, from very fine and lustrous to a nubby, matt appearance. There is “reeled” silk yarn, spun silk, bombyx and tussah silk.

     Cotton linen, hemp and ramie and offers many different varieties in yarn. Now on the market, we also find yarns made from corn and soy plants.  

      Nature’s bounty does indeed offer knitters and weavers a wide selection of excellent fibers and wool in a huge variety of yarns that are also produced in nature’s palette of colors. When not the desired color, nature also offers a myriad of natural dyes, but that’s another topic.

What’s It All About……

Sunday, August 10th, 2008

Bonnie Samuel Design's Blog is about natural fibers, the animals and plants that produce it, and creating with fiber. Fiber and creating with it, has been a great part of my life path and happily, is my business too.

From time to time, this blog will feature other people who create with fiber…the knowledgeable and accomplished weavers, knitters, spinners, mill operators, educators in the field who will enlighten us with their views and insights on fiber and their creations.

Check back soon, sign up for the feed – the first blogpost on fiber will be posted very soon.